Welcome to Subterranean Cinema , the perfect place to watch classic movies originating from your local PBS station right here in Fort Wayne.

I'm your host, Kris Hensler.

And tonight's film is the 1943 Stage Door Canteen .

And joining us is our fearless leader, Bruce Haines.

Bruce, thanks for stopping by and hanging out with us here in the basement screening room.

So at this point, I think people know who you are and what you do here at the station.

But maybe you could tell us, maybe just one thing about yourself that maybe people might find interesting.

Well, I do play piano.

I play at piano.

I keep working on it.

Someday hope to be decent at it, because right now, truly, the left hand doesn't know what the right hand is doing.

But all the music in this movie tonight, Kris, it's great inspiration.

I can get back at those practice books all over again.

I think it's a great idea.

All right.

So tonight's film is Stagedoor Canteen , set during World War Two.

The actual Stage Door Canteen was an entertainment venue for American and allied servicemen that operated in the theater district of New York City.

The film celebrates the work of the Stage Door Canteen.

So the storyline here revolves around several women who volunteer for the canteen with the most important part of their job being to provide friendly companionship to the men who are being sent off to war.

But I think one of the more interesting aspects of this film is the sheer number of big name guest stars that make cameo appearances here.

Bruce, can you give us an idea of who we can expect to see in this film?

Sure thing.

Now, for starters, some of the biggest music acts of the day can be seen here.

We've got Count Basie, Xavier Cugat, Benny Goodman, Kaye Kaiser, even Guy Lombardo.

And then we have a laundry list of actors, too.

There's Edgar Bergen, Ray Bolger, Helen Hayes, Ed Wynn Katherine Hepburn, George Jessel, Gypsy Rose Lee, Tallulah Bankhead, Johnny Weissmuller.

And last but certainly not least, Harpo Marx.

That's just a partial list.

And the amount of talent in this movie is just incredible.

Which is a bit ironic considering the leads in the movie were unknown actors Cheryl Walker as Eileen, a volunteer at the canteen, and William Terry as Dakota, a visiting serviceman.

Well, I, for one, am more than ready to get in to get this thing started.

So let's get out the popcorn, pour some drinks and settle in for a night at the movies with Stagedoor Canteen starring.

Well, everyone here you're watching Subterranean Cinema only on PBS Fort Wayne.

(soft music) (orchestral music) (train engine roaring) (soft music) >> You guys who are writing letters, hurry up.

It looks like this will be our last stop.

>> Hey look, Sarge.

My girl lives in Jersey City, see.

And I was wondering if maybe we might be headed for... What I mean is, is it still a military secret?

Or do you know where we're going?

>> Sergeant: I sure do, Jersey.

>> Yeah?

>> Sergeant: We're going to win a war.

(all laughing) >> You know, something tells me this is probably the last letter you're gonna have to write to Mamie for me, Dakota.

So finish it off hot, you know, romantic.

Something she can keep under her pillow.

>> Well how about saying, "Mamie, sweetheart, this will probably be my last letter from American soil.

But wherever we're going, I'll take the memory of your kisses and your arms around me."

Is that hot enough for you, Jersey?

>> Mamie wrote me she sure didn't know she could kiss me as good as you said she could, Dakota.

But she sure was glad to hear it.

>> Gee.

I guess I've been missing something.

I haven't ever even kissed a girl.

>> Go on.

I bet you even try to improve on Dakota.

Dakota says we may unload right onto a transport.

So maybe this'll be my last letter.

I just want you to know that whatever happens to me, I hope you'll be as proud of me, dad, as I am of you.

Sorry for butting in, California.

>> That's OK, Jersey.

I haven't got a girl to write to.

>> Holy smoke!

Look, guys, a girl.

(soldiers chattering) (train engine roaring) >> Cigarettes, boys.

Compliments of Greenfield, Ohio.

>> Thanks, miss.

We're fresh out of smokes.

>> Thank you.

>> Any letters you want mailed?

>> Oh, we sure have.

>> Thank you.

>> Looks like you boys are on your way.

>> Yes, ma'am.

We sure hope so.

>> Don't burn your fingers on this one.

It's to my girl.

>> Now, back here is my little Texas boy who is gonna be a hero.

(train engine roaring) (soldiers chattering) >> I've been wondering, Dakota.

You're always helping us guys write letters.

But you never write any yourself.

>> Well, you see I lost my mother and father when I was still a kid.

>> But haven't you got a girl?

>> Nah.

I'm sweared off women for the duration.

>> Well, if you'd like to get letters from somebody, I know my dad would be mighty pleased to write to you.

>> Thanks, kid, I might take your dad up on that.

Sometimes a fellow feels like he'd like to write somebody.

>> I've been thinking about those letters you've been making up for Jersey's girl.

Kind of makes a guy wish he had a nice girl he could kiss goodbye himself.

>> It's not always easy for a fellow to meet a nice girl, kid.

>> I know.

I was just thinking.

>> You stick to just thinking.

It's cheaper, and almost as much fun.

(train engine roaring) (bugle blowing) >> I guess the question you men want answered is are we climbing a gangplank this morning?

Well, you're going to get a break.

You've got 24 hours leave.

Probably most of you have never seen New York City.

Well, this is your chance.

You'll find that your uniform is a key to the hospitality of New York.

Don't abuse that uniform, or the hospitality.

Report here for reveille and orders tomorrow morning at 6:00.

Meanwhile, you might store up a few memories to take with you wherever we're going.

Company.

>> Soldiers: Yes!

>> Attention!

First Sergeant.

Dismiss the company.

>> Attention.

(guns cocking) And lock.

(gun cocking) Peace.

(guns cocking) Dismissed!

(soldiers cheering) >> All I hope is the cens who read Mamie's letters don't beat me to her house.

>> What do you say we get rid of these field uniforms, and give New York a once over?

>> Yeah, maybe meet a nice girl.

(upbeat music) >> Wow.

Two bucks for a steak?

>> Well, we won't have much use for American money where we're going.

Wonder what you have to do to get a waiter in this richie restaurant.

Join the SigmaCorps?

>> Hey, Dakota, look!

(trumpet blowing) >> Well, hello, Ms. V. >> Hello, Mac.

Now you know Mr Quigley, don't you?

>> How do you do, Mr. Quigley?

>> Hello, Mr Bacon.

>> Will you come this way, please?

(soft music) Well, here we are.

It's all set up for you.

>> I'm the man for the turkey and the gravy.

>> I've come for the ham.

>> No relation, I hope.

(soft music) >> See you later.

>> Her in person?

>> It sure is.

>> That's Suzy all right.

The last time I saw her she was dressed different.

(all laughing) >> The boss volunteers the food.

And those famous people volunteer to pick it up for the Stage Door Canteen.

You boys are chumps to waste your dough here when you can eat our stuff down there for free.

Opens at 5:00.

>> We just came in for a look around.

>> Yes, sir.

(soft music) >> Sure hope we meet some pretty girls.

(people chattering) >> Can I see your cards, girls please.

>> Thanks.

Hello.

>> Hello, how are you doing?

>> Hello there.

How are you.

>> Sure you've got... Oh Lillian, Selena Royal wants to see you.

>> What about?

>> I don't know.

She's off until day.

See your cards, girls, please.

>> Lillian: Want to see me, Ms. Royal?

>> Oh, oh yes, Lillian.

Come in.

Close the door.

Lillian, did you make a date with a soldier in the canteen last night?

>> Why yes I did, Ms. Royal.

>> Did you go out with him afterwards?

>> Yes.

>> But you know the rules.

You know no girl is supposed to make a date with a soldier she meets here.

>> Oh, yes, Ms. Royal.

But he was such a nice boy.

I felt awfully sorry for him.

He was so lonesome, and he didn't know a soul.

We only went over to Roseland for a couple of dances, and then the Aramat for a bite.

I was in by two o'clock.

>> I know, dear.

But these rules are made for a good reason.

And we've got to be strict with violations.

>> I won't do it again.

>> I'm afraid you won't have an opportunity.

Because I've got to pick up your pass.

>> Does that mean I won't be able to come down here and help anymore?

>> Yes.

I'm afraid it means just that.

>> Oh please, Ms. Royal.

You're one of the co-chairmen of the canteen.

Couldn't you please speak to Ms. Cowell about it?

Can I have another chance?

Makes me feel like I'm doing something to help.

And because just like the boys who come down here, no matter how blue I am, I get cheered up.

>> I know just how you feel, dear.

But, well, there's nothing I can do about it.

I've got to pick up your pass.

>> Lillian: It was just that he was so homesick.

(people chattering) >> You know what I'd bet?

>> What?

>> I'll bet my folks would just about swoon if they knew I was entertaining Yankee soldiers night after night.

>> Hey, you got Alabama dripping from those pretty lips of yours.

I can hear it from here.

>> Well, I declare, a southern gentleman amongst all these Yankees.

>> Hello.

>> Hey, kids, hurry up.

We're gonna be late.

>> My name's Ella Sue.

I'll see you later.

>> I sure hope some of the big stars and producers are here tonight.

>> Oh, they all come down one time or another.

Every night there's a different shift.

Come on, Ella Sue.

>> I think I'm gonna like this.

I just hope the place isn't too fancy.

Do you think those girls are actresses?

>> Well, they're pretty enough (laughs).

>> Thanks, fellows.

Your passes are the only means of identification, okay.

>> Here, food chip.

>> Dog tags, fellows, please.

>> Did you hear?

>> Hear what?

>> About Lillian.

They picked up her card.

>> Oh, then she did go out with that kid from Iowa.

>> Hello, Peggy.

>> Hello.

>> Hello, Anne.

How are you?

>> Hello.

>> Hello, Vera.

>> Hello, dear.

>> Vera, this is our roommate, Eileen Burke.

It's her first night at the canteen.

>> Hello, Eileen.

Hang your coat over there, and pick up your apron over here.

And I hope your feet hold out.

>> Thank you.

>> Eileen, if you forget any of the rules, just ask Ella Sue or me.

>> And suppose I meet a wolf?

>> They won't make any passes at you, honey.

All you've got to do is just be fun, but in a cute sort of way.

>> Soldiers and sailors on leave want something more than somebody to talk to.

Hey, didn't I see your boss cleaning tables out there?

>> Mr. Pemberton?

Yes, why?

>> How's for an introduction.

He's casting a new play, isn't he?

>> Now let's skip that career for tonight, cutie.

You're here to show the boys a good time.

And Mr. Pemberton isn't here as a producer.

He's here to keep the tables clean.

>> Why couldn't I help him clean up a table or two?

Give me a chance to show him my press clippings.

>> Oh, Eileen, forget yourself.

You just wait.

You'll find it gets in your blood.

I've taken to counting soldiers instead of sheep to put me to sleep.

>> What I'm wondering is how I'm going to say yes and no to that southern boy at the same time.

>> Ed Wynn, gee, we didn't expect to see you here.

>> Oh, nobody did.

As a matter of fact, when I told those boys I'm with, I mean the biggest dignitaries in the moving picture business, when I told them that I was coming here, I walked into their room, they got right on their knees.

What a reception.

What a tribute.

What a crap game.

(all laugh) My goodness.

They're here.

Oh, you're in the Navy.

I can see that.

Here you are.

A male wax for heaven's sake.

(soldiers laughing) First one I ever saw.

Check your hat?

Okay, that's for you.

>> Hey, Dakota, isn't that Alan Mowbray emptying ash trays?

>> Yeah, imagine Alan Mowbray having to get a job as a busboy.

I thought he was doing all right in pictures.

>> I say, old boy, jolly party, isn't it?

>> What did you say?

>> A jolly party, isn't it?

>> Foreigner.

>> Say, George, you've been having a lot of rainy weather out in California lately, haven't you?

>> Oh, I wouldn't say that, Bill.

Just two feet of dew.

>> Two feet of dew.

>> Here you are, mate.

>> Okay, George.

>> Say George, tell me.

You've been taking a lot of fighters around to the Army camps for the entertainment of the boys.

What's the greatest fighter that you've ever seen?

>> Pound for pound, Henry Armstrong.

He's the only fighter that held three world's titles at the same time.

>> You're right there.

How about these Brooklyn Dodgers.

You're always rooting for the Dodgers.

Think Brooklyn's gonna win the pennant this year?

>> Well, I wouldn't know anything about that.

But I know one team that can't lose.

>> Whose is that?

>> That team there.

(people chattering) >> How much for a ham sandwich, please?

>> There's no charge.

>> Not for the chocolate cake, either?

>> No.

Here's some with icing.

>> It's been a long time.

Are those oranges for us, ma'am?

>> Of course they are.

>> I haven't seen one in two years.

Blimey.

It's just like.

Christmas, ain't it?

Just like Christmas.

>> Thank you.

>> You're welcome.

(soft music) >> You're Katharine Cornell, aren't you?

>> Yes, how'd you know?

>> Oh, our dramatic coach at school has your picture.

He said we hadn't lived until we'd seen you play Juliet.

See, we put it on and I was Romeo.

>> You were?

What scene did you like best?

>> You remember where Romeo swears by the moonbeam?

Lady, by yonder blessed moon, I swear, that tips with silver all these fruit-tree tops.

>> Oh swear not by the moon, the inconstant moon, the monthly changes in her circled orb, lest that thy love prove likewise variable.

>> What shall I swear by?

>> Do not swear at all.

Or if thou wilt, swear by thy gracious self, which is the god of my idolatry.

And I'll believe thee.

>> If my heart's dear love- >> Well, do not swear.

Though I joy in thee, I have no joy in this contract tonight.

It is too rash, too unadvised, to sudden, too like the lightning that has ceased to be ere one can say it lightens.

Sweet, good night.

Parting is such sweet sorrow that I shall say goodnight til it be morrow.

>> Hey, what's holding up the line?

>> A little unrationed ham being served.

For holding up the works, Romeo.

(soft music) >> I'll never eat this orange, Juliet.

I'll just keep it to remember.

(soft music) (people chattering) >> Any of you guys seen a little bit of Alabama sugar?

>> You come along with me to a table, southern boy.

I want you all to myself.

>> I'm sure you boys will pardon my absence.

>> Hello.

>> Hello.

>> Are you gonna be my girl?

>> Why yes, I'll be your girl while you're here.

What's your name?

>> Well, the fellows call me California.

But my real name is Jack Gilman.

>> I like California best.

My name is Tina.

>> How old are you?

>> Oh, I'm not telling.

>> Go on, please.

It's important.

>> You name it, California.

>> You're 18.

>> Oh, gee, thanks.

You want me to hold your hand while you drink your milk?

>> You got nothing to worry about, Eileen.

They're all gents or bashful.

See that tough Sergeant, I bumped into him and I said, "What do you do?"

And he said I'm a chorus girl in the Irving Berlin show.

>> (laughs) You give me lots of assurance, Mr. Demarest.

>> Where do you get that Mr. Demarest stuff?

You know my name is Bill.

Don't be so nervous.

You act like this was a first night opening.

Take it easy.

>> Hello, Eileen.

>> Well, hello, Ms. Scott.

>> Well, how nice to see you.

What have you been doing since the play closed?

>> Well, nothing yet.

But I have prospects.

>> Well, this is your first night at the canteen, isn't it?

>> Yes.

Are you one of the hostesses?

I don't know how to start.

I've got kind of a sinking feeling.

>> Well, if you're gonna sink, Miss, you might pick this chair right here.

>> There's your answer, Eileen.

See you later.

>> Please, I saved it for you.

Can I get you something to eat?

>> No thanks.

We can't eat the food here.

>> What's the matter with it?

It looks mighty good to me.

>> It's a rule.

It was donated for you to eat, not us.

>> Where do you live.

>> That's another rule.

Even if I wanted to, I couldn't tell you.

>> Sort of a civilian secret, huh?

Look, my name's Ed Smith.

And we're gonna- >> Oh, that's another rule against telling us where you're going.

>> You get me wrong.

I don't know where I'm going.

I was just gonna say- >> Oh, first we're supposed to ask you where you're from.

>> Sioux Falls, South Dakota.

>> Then I think we're supposed to ask to see your sweetheart's picture.

And we talk about how nice she is.

>> I haven't got a sweetheart.

I'm sort of between girls.

>> Why Walter Winchell had it that Ed Smith and the belle of Sioux Falls were sizzling.

>> Well, I guess we sizzle some at that.

>> I'll never forget.

When the last war was over, my captain paid me the swellest compliment.

He said, "Private Kennedy, you are now and always will be the perfect non-entity."

(both laughing) He always thought a lot of me.

>> Hey Ed, didn't you start your stage career in Vaudeville?

>> Oh sure.

I came from a famous Vaudeville family.

My uncle was Rajah, Rajah and his Lions.

Did you ever see that act?

15 years my uncle was in Vaudeville.

He used to open the lion's mouth, and put his whole head right in the lion's mouth.

But one day the darnedest thing happened (laughs).

Hello, uncle.

(soldiers laughing) (audience cheering) >> Listen, everybody.

This is Bert Lytell, your MC.

Fellows, I'm only home for 10 seconds to make an announcement.

You've heard it said that you can't get blood out of a stone.

Well, you can't get it out of our next guest, either.

Charlie McCarthy and Edgar Bergen.

(audience cheering) >> Good evening, ladies and gentleman.

I bring you greetings from the mystic East.

And now with your kind indulgence, I shall delve into the mysteries of supernatural and the occult.

>> Hey, Bergen?

>> Yeah?

>> Well, what's the racket?

>> Racket?

>> Yeah.

>> Young man, I happen to be gifted.

>> Say not so.

>> Yes, indeed.

>> I'll be darned.

>> I'm a student of occultism.

>> Of occult-usm?

>> No, not tusm.

>> No?

>> No.

>> What?

>> Ism, ism, ism.

>> Ism what, dear?

>> Aw.

(audience laughing) >> I am the seventh son of the seventh son of the seventh son.

>> Well come on, seven.

Do something (laughs).

Well, what, what's the, what's the globule for?

>> You mean this?

>> Yeah, the bowling ball?

>> Well, do you know what I see when I look into that?

>> Goldfish?

>> No, no, no.

>> What's it for?

>> Well, you see it helps me to focus my attention.

>> Is that so?

>> Yes.

When I gaze into the crystal, a vision appears.

>> Is that right?

>> Yes.

>> (mumbles) Well, what's a vision?

>> A vision?

>> Yeah.

>> What is a vision?

>> No, I asked you first.

>> Yes, I know you did.

Well, a vision, well it's very much like a mirage.

>> Oh, it's like a mirage.

>> Yes.

>> Oh, so that's what it is.

It's a mirage, yes.

What's a mirage?

>> A mirage?

>> Yeah.

>> Well, that's very much like a vision.

>> Yeah.

Oh, it's nice, like a vision, I see.

Shall we go around again?

>> No, no.

(audience laughing) >> Well, go ahead, professor.

Give out with this tsunami.

>> All right.

I will.

Now of course, in order for me to do this, I will have to go into a trance.

>> Well, I'll wait here.

>> Yes.

All right.

>> Well, what is a trance?

>> A trance?

>> Yes.

>> Well, it's a state of semi-consciousness or sleep.

>> Oh, is that so?

You haven't far to go.

>> All right.

(audience laughing) Now of course I must have absolute quiet.

>> Oh, you certainly should.

Yes.

>> Yes.

>> You think you can make it?

>> Oh, I'll make it.

(Burgen sings in foreign language) (Charlie speaking in foreign language) >> No, please.

>> You think you-- >> Shh.

>> What did you say?

>> Shh.

>> Sounds like a puncture.

>> All right.

(audience laughing) Now shall I read your past first?

>> Do you think you can?

>> I don't think.

I know.

>> I don't think you know either.

>> All right.

(audience laughing) Shall I go back to where you were seven years old?

>> Oh it isn't necessary.

Nothing really happened before I was 12.

>> 12, I see.

(audience laughing) The name of Bessie appears here.

>> Oh, it does.

Good old Bessie.

Whatever became of her?

She sat in front of me in history class.

>> I see.

Did you learn much about history?

>> Well, not as much as I learned about Bessie.

(audience laughing) >> You were very fond of Bessie?

>> Yes, you can say that.

>> Were you in love with her?

>> Oh, I wouldn't go so far as to say that, no.

>> But it was, it was more than a speaking acquaintance?

>> Oh you're darn right it was.

(audience laughing) Yeah.

Tell me more.

>> Yes.

All right.

I see you still don't believe.

>> Frankly, no.

>> Very well then, I am forced to employ hypnotism.

>> Is he out of work again?

>> No, no.

(audience laughing) I want you to gaze into my eyes, and concentrate.

>> Pfft!

>> Pfft!

>> Are you hypnotizing, or are you watering the lawn?

>> I'm concentrating.

Close your eyes.

Pfft.

>> Aw, if you do that again, so help me, I'll slug you, Bergen.

>> All right.

Now at the count of three, you'll be asleep.

One, two- >> Uh huh.

>> Three.

Pfft.

>> Aw, that does it.

>> Hey.

(audience laughing) >> I'll do it, Bergen.

I'll do it.

>> Stop playing games.

Let us return to the crystal, and see what the future holds for you.

>> All right.

Let's return, yes.

What's in there.

>> Well, now, let me see.

>> Uh-oh.

(girl humming) (Charlie panting) (Charlie chuckles) >> I see a lot of trouble ahead for you, Charlie.

>> Yeah, but I think it's worth it (laughs).

>> Oh, Mr. Bergen, oh Mr. Bergen.

>> Burgen: Well, Mortimer Snerd.

>> Aw.

Well, well.

Well, Mortimer.

Say, you look pretty handsome in that hat.

>> That's right, yeah.

>> Well, why don't you smile at all the girls, and show them your dimples.

(Mortimer laughs) Aw, come on, now.

Isn't that a pretty girl down there?

>> Oh yeah.

>> Well now, why don't you wink at her?

>> No.

>> She won't bite you.

>> Oh, I wish she would!

>> Well, tell me, what are you doing here?

>> Well, I brought you this case.

>> Oh, you brought this in?

>> Yeah.

>> Well, isn't that a pretty box for you to bring in?

>> Well, that was easy.

As easy as A, B, uh, A, B, uh?

>> ABC?

>> Uh, yeah, yeah.

That's the one (laughs).

I always forget the other one.

(audience laughing) >> How old are you, Mortimer?

>> Oh, I'm a boy about my age.

>> About your age, yes.

Where do you live?

>> With grandpa on the farm.

>> Oh, on the farm.

>> Is your mother living yet?

>> No, no.

>> I see.

>> Not yet.

>> Not yet.

(audience laughing) >> You want me to open this up for you?

>> No, no, nevermind.

What's there in the box?

>> Well, it says it's full of fish.

>> No, no.

Where does it say that?

>> Right there.

Cod.

>> Oh, that's not cod at all.

>> No?

>> No.

That's C.O.D.

>> Oh, is that what it is?

Can't believe what you read, can you?

>> No.

>> Shall I open it up?

>> I'll open the box magically.

>> No.

>> Yes.

>> Well, let's see it.

>> Abracadabra candelabra.

>> Oh!

>> Oh, Stacey Beau.

>> Hello, Edgar.

Hiya men.

(audience cheering) (upbeat music) ♪ Listen, America, and you'll hear ♪ ♪ The story of a boy who deserves a cheer ♪ ♪ I tip my lip to a Yankee kid for this is what he did ♪ ♪ Three Jap planes were up in the sky ♪ ♪ Looking for trouble while flying high ♪ ♪ Along came a Yank and what did he do?

♪ ♪ Ha!

And there were two ♪ Two Jap planes that used to be three ♪ ♪ Thought they'd get even but suddenly ♪ ♪ The Yank turned around and gave them the gun ♪ ♪ Ha!

Then there was one ♪ He clipped their wings with the greatest skill ♪ ♪ Just like a barber ♪ He did these things to prove ♪ He still remembered Pearl Harbor ♪ ♪ The one Jap plane still leapt in the shoal ♪ ♪ Thought he'd be safer in Tokyo ♪ ♪ But the Yank kept on until the job was done ♪ ♪ Ha!

Then there were none (audience clapping) >> Now what about making these aircraft noises with me lads?

Are you ready (whistles)?

(audience clapping) ♪ Three Jap planes were up in the sky ♪ ♪ Looking for trouble while flying high ♪ ♪ Along came a Yank and what did he do ♪ (audience imitates plane engine) ♪ Then there were two ♪ Two Jap planes, there used to be three ♪ ♪ Thought they'd get even ♪ But suddenly the Yank turned around and gave them the gun ♪ (audience imitates gunshots) ♪ Then there was one ♪ He clipped their wings with the greatest skill ♪ ♪ Just like a barber ♪ He did these things to prove ♪ He still remembered Pearl Harbor ♪ ♪ The one Jap plane still leaped in the shoal ♪ ♪ Thought he'd be safer in Tokyo ♪ ♪ But the Yank kept on til the job was done ♪ (audience imitates gunshots) >> Then there were none.

(upbeat music) (audience cheering) >> Now boys, a sailor has specially asked me to sing the Lord's Prayer.

(soft music) ♪ Our Father, which art in heaven hallowed be they name ♪ ♪ Thy kingdom come ♪ Thy will be done in earth as it is in heaven ♪ ♪ Give us this day our daily bread ♪ ♪ And forgive us our trespasses ♪ ♪ As we forgive them who trespass against us ♪ ♪ And lead us not into temptation ♪ ♪ But deliver us from evil ♪ For thine is the kingdom, and the power and the glory ♪ ♪ Forever ♪ Amen >> Oh, thanks, Gracie.

That was like a breath from home.

>> I'm glad you enjoyed it.

>> Oh it was lovely.

>> You know, that that's my mother's favorite.

>> Really?

>> Well, lads, there's somebody else has to work for the living.

I've got to say toodle-oo and God bless you.

Cheerio.

>> Cheerio!

(audience clapping) >> Hey Mac, ain't you Ray Bolger?

>> You wanna make something out of it?

(footsteps pattering) >> All I asked him was, was he Ray Bolger?

>> Oh, there's Brock Pemberton.

He's putting on a new play here.

>> Oh, you in the show business?

>> Everybody here is, one way or another.

>> Where are you from?

>> Oswego, New York.

But I studied drama in Rochester.

>> Oh, then you are an actress.

>> Well, that's what it says in my clippings.

>> You don't look like an actress.

I mean, you look just like the girls back in Sioux Falls.

Did you said they wrote you up in the newspaper?

Got any clippings with you?

>> Why, only amateurs carry their clippings around.

>> Aw, come on.

Let's see what they say.

>> Well, sometimes you might bump into a producer like Mr. Pemberton.

So I do carry one, just in case.

>> Eileen Burke, had four lines as the insane sister.

Is that you?

But her portrayal of tragic and growing insanity impressed the audience.

You went nuts in a play?

>> Yes.

>> Show me how you looked when you went nuts.

Oh, oh, what's the matter?

It's just that I've never been out with an actress.

>> Well, so far as I'm concerned, this is as far out with an actress as you're going to get.

>> Aw.

I was only kidding.

(audience cheering) >> Evening folks.

How are y'all?

(audience cheering) >> Hey, thanks for listening to Sully Mason, Harry Babbitt, Julie Conway, Trudy Erwin, Jack and Max and the whole gang, and "A Rookie and His Rhythm."

Okay, come on.

Let's do it.

(upbeat music) ♪ There he goes, a rookie and his rhythm ♪ ♪ Who's he with ♪ He's with a little whack ♪ What's he got, this rookie and his rhythm ♪ ♪ He's got one commission officer's life ♪ ♪ Aw, here he is, a Private who can jive it ♪ ♪ Here he is, a Private second class ♪ ♪ The gals prefer a private who can jive it ♪ ♪ He'll surpass the Colonel making a pass ♪ ♪ Though he's new in the service ♪ ♪ With a gun he's still nervous ♪ ♪ And we need him to preserve us ♪ ♪ He improves the morale of a gal ♪ ♪ Majors may be very necessary ♪ Strictly in the military way ♪ But give to me a rookie and his rhythm.

♪ ♪ Show their arms and let the orchestra play ♪ ♪ Hip, hip, hip, hip, one, two, three four ♪ ♪ Play it boys ♪ Show their arms and let the orchestra play.

♪ (upbeat music) (audience cheering) >> Oh no, gee.

You've been swell, fellows.

But I can see it in your eyes that you wanna get going, so come on, gentlemen, let's dance.

(audience clapping) (soft music) ♪ Sleep, baby, sleep (soft music) >> This will give you an idea how tight they'll pack us on the transport.

>> I guess if a girl falls in love with a fellow here, it's really love.

Because we can't spend anything on you.

(soft music) >> First time in the canteen, boys?

Would you like to dance?

>> Yes, ma'am.

And I want a blonde, five feet three inches tall.

>> I like a brunette, five feet two.

>> Virginia.

>> Virginia: Yes?

>> One blonde five feet three inches.

One brunette five feet two for these gentlemen.

>> Say lady, how far can we go with these girls.

>> Just as far as the door, sailor.

(Virginia laughs) (soft music) >> Say, isn't that Helen Hayes?

>> That's right.

She's one of the first ladies of the theater.

>> Sure.

I saw her play Queen Victoria once.

>> Could I have the honor of dancing with you, Ms. Hayes?

>> With all these young girls, why would you want to dance with me?

>> So I could tell my grandchildren I once danced with Queen Victoria.

>> The honor is mine, young man.

(soft music) >> Hey, Mac, all I wanted to ask you was, was you Ray Bolger.

(soft music) >> What time you through here, Eileen?

>> 12:00.

>> What do you do when you leave?

>> Why don't you try and meet some of the other girls before the evening's over?

>> Oh, I get it.

>> Well, how are you doing at this table?

Getting everything you want?

>> Not yet, ma'am.

But I'm trying hard.

(footsteps pattering) >> Hey, look, Mac.

I wanna get one thing straight.

Are you Ray Bolger or ain't you?

>> Take off that coat.

(bell dings) (audience cheering) >> Now fellows, now comes a wistful wag of stage and screen.

He spends most of his time at the canteen, and looks it.

When he was a small boy he got a double hot foot, and he never got over it.

(audience laughing) Here he comes, By Jupiter, Ray Bolger.

(audience clapping) (audience laughs) >> Fellows, I'd like to tell you about my girl.

She's a beaut (laughs).

(soft music) ♪ She has hair that she wears like Veronica Lake ♪ ♪ So that 50% of her is blind ♪ She is known to her daddy as mother's mistake ♪ ♪ She's the girl I love to leave behind ♪ ♪ She is silly for soldiers and mad for Marines ♪ ♪ And she can't get the Coast Guard off her mind ♪ ♪ She keeps doing the cancan in all the canteens ♪ ♪ She's a girl I love to leave behind ♪ ♪ After dancing around the floor ♪ ♪ it's a pleasure to go to war ♪ Oh she giggles and gurgles and rattles around ♪ ♪ Lou Costello is slightly more refined ♪ ♪ While I fight in a tank, or the plane in a Jeep ♪ ♪ She's the girl I love to leave behind ♪ (audience clapping) (trumpet blowing) (drums beating) >> And halt.

One, two, three, four.

Oh!

(audience laughing) >> Right dress.

Front.

(Ray grunts) (audience laughing) Right shoulder arm.

(Ray grunting) Left shoulder arm.

(Ray grunting) Hi, hello!

(audience laughing) Order!

One beer.

(audience laughing) Order, arm.

Oh, two, three, four.

Present arm.

(audience laughing) Port.

Port.

(audience laughing) Arm.

Right shoulder arm.

(grunts) three.

One, two, three.

(audience laughing) Right face.

Left face.

About... Four or five years ago, when I- (audience laughing) >> About face.

About face.

Orders for the day.

Army commander!

First command, first platoon, right (Ray mumbles) Sir, would you repeat the orders?

Yes, sir.

I'll peel them right after this drill.

(audience laughing) Mark time, ho!

(upbeat music) (shoes tapping) >> Hey soldier!

(audience laughing) >> Tu, tu, tu, tu!

>> Tu, tu, tu, tu!

>> Ta, ta, ta, ta!

>> Ta, ta, ta, ta!

(upbeat music) (feet tapping) (audience clapping) >> Hey Ray, how about your autograph?

>> Okay.

(audience laughing) >> Excuse me, boys.

(soldiers laughing) I've got to turn on the phonograph.

>> Do you theater people have these canteens all over the country?

>> Oh sure we do.

We've got canteens... Why they have one canteen in Washington DC.

It's the darnedest thing you ever saw.

They don't have famous actors waiting on the soldiers like they do here, down in Washington, Congressmen wait on the boys.

Those boys will starve to death down there, you mark my words.

>> Why, Mr. Wynn?

>> Well, you know how long it takes a Congressman to pass anything.

(soldiers laughing) >> You wait and see.

(soft music) >> This music means good night, soldier.

>> Well, good night, Eileen.

Goodbye too, I guess.

Are you coming here tomorrow night?

>> Why?

>> Well, with me gone, I thought maybe you'd come and really enjoy yourself.

(soft music) >> You know, Jeanne, you have given me my happiest moment since I joined the service.

>> Oh, I'm glad.

>> I hope you don't sail, California.

I hope you'll be back because I'd like to be your girl again.

Something wrong with your throat?

>> Yeah.

There's a lump in it.

(soft music) (people chattering) >> My feet's beat, beat right down to my socks.

I'm soaking wet.

>> That sailor I was with danced like he was seasick.

And my last pair of nylons.

>> Gee, I wish this war was over.

My feet hurt so.

>> That little old boy from Texas danced a pound off me.

He's the sweetest thing.

>> The one I drew threw cracks at me all evening.

>> From where I sat, it seemed like you were throwing a few yourself.

>> How'd you like it, Eileen?

>> So-so.

Didn't even meet Brock Pemberton.

>> Oh, the way my boy said good night made me want it to last all night.

>> Mine used a shaving lotion that made my knees weak.

>> The boy I was with is on his way home from Australia.

He said it's the first time he's seen a girl in six months.

He was only 19.

>> Some of them are awfully young.

>> Some party, wasn't it, Dakota?

>> Sure was, Romeo.

>> I thought you said it was hard for a fellow to meet a nice girl in New York.

>> I've been wrong before.

>> I'm under the impression that Yankee gal didn't fall for your charms, Dakota.

Why, I thought you had a way with women.

>> I guess I lost my touch.

>> Dakota?

>> Yes, kid?

>> On our way home tonight, you said there was something about Eileen.

What did you mean?

>> Nothing.

I was only thinking.

>> California: What?

>> I was only thinking that if we weren't sailing I'd like to find out what she's really like.

>> California: But you said you were off women for the duration.

>> I know.

Good night, kid.

>> Good night.

I wonder how Jersey's making out with his Mamie.

>> Probably trying his darnedest to live up to those letters Dakota wrote for him.

>> Do you think he'll get in before reveille?

>> I guess that's up to his little old Mamie.

>> Soldiers: One, two, three, four.

One, two, three, four.

>> Go on, Private Willis.

>> Well, sir, I ask myself, Suppose something happens to me across the water?

But then I says to myself, suppose I don't marry Mamie, and something happens to me?

Look what I'll miss.

>> What about your intended bride, if something happens to you?

>> Well, I figured that out too, sir.

I says to myself, Jersey, if you get conked off, Mamie will get your insurance anyway.

Well anyway, sir, we got our application to get married.

The rest is up to you, sir.

>> How long have you been going with this girl?

>> Oh steady, sir, two years.

>> Oh, then it isn't one of those before shoving off marital urges.

>> Oh no, sir.

Me and Mamie fit together like an old shoe.

>> Well, I see no reason why I shouldn't give you permission to marry the young lady.

Except, first, in order to comply with the marriage laws, you couldn't get married until tomorrow anyway.

And second, by that time, you'll probably be out on the Atlantic Ocean.

>> You mean Mamie will have to sleep on our intention to wed for the duration, sir?

(phone ringing) >> Captain Robertson speaking.

Why yes, Colonel Wright.

Very well, sir.

Private Wallace?

>> Yes, sir?

>> Looks like you're going to got a consolation prize at least.

I can't promise the wedding, but you and the men are going to get another 24 hours leave.

>> Oh thank you, sir.

Me and Mamie will sure know how to use every hour of it, sir.

Thank you, sir.

Oh, pardon me, sir.

>> Give my regards to the young lady.

>> Thank you, sir.

>> Sergeant, issue 24-hour passes to the company.

>> Yes, sir.

(people chattering) >> I would like some spread, please.

>> Some what?

>> Spread, for the bread.

>> No more spread for the bread.

All out.

>> No spread?

>> Give me some corned beef, will you?

>> No more corned beef.

>> I know, but I got 40 hungry soldiers out there that want corned beef.

>> Can I make corned beef?

>> No, but I gotta have corned... Don't stand there.

Do something.

Call somebody up, will you?

>> Who do I call?

>> The OPA, the OPI, the OPX.

>> Where are they?

>> Washington, yes.

>> Go ahead, call them up.

>> All right, I'll call them.

>> Hello, I want to get Washington DC, yes.

I want to talk to somebody about the food situation.

See, I'll get you over.

(all speaking over each other) Oh, hello, Washington.

I want to do something about this food situation.

It's awful.

We have no corned beef.

We have no corned beef.

And we have no ketchup to put on the corned beef.

If I was admin of Washington, I'd fire you immediately.

>> Man: Do you know who this is?

>> No, and I don't care.

Who is it?

>> Man: This is the head of the draft board.

>> Do you know who this is?.

>> No.

>> Goodbye.

(plates clattering) >> I do say it myself.

I can flirt up a pretty sandwich.

This is for my darling.

>> Well, thank you, my dear.

>> Oh, it's not for you.

It's for that adorable sailor from Savannah.

>> Oh, is that the boy who came up to me the other day and said, "Thank you, Mr.

Dunton."

And I said, "You're welcome, but what for?"

And he said, "I'm having so much fun with your wife."

>> Oh no, no.

That boy came from Norfolk.

>> Oh, you do get around, don't you?

>> I don't, but the sailors do.

(plates clattering) Coffee?

>> If you please, ma'am.

I heard your recording of "The White Cliffs of Dover," Mrs. Dunton.

>> You did?

>> I come from Dover.

>> Oh, you do.

>> I think it was magnificent.

>> Oh, thank you very much.

I loved making the record.

>> Hey, what band is she with?

(Mrs Dunton laughs) >> I know you.

I've seen you act.

>> Well, any idea.

Can it be that my personality survives tray scraping?

>> Aren't you Alfred Fontaine?

Isn't he?

>> Yes.

Have another.

>> Mr. Omar, my career on the stage won't be complete until I've worked with you.

>> Well, my boy, now's your chance.

You walk this garbage pail right up to Shubert Allan.

>> Yes, Mr. Omar.

>> Joanie, bring some more plates.

>> All right, Ms. Fontaine.

>> My goodness but it's hot in here.

It's beastly hot.

I'm suffocating.

>> That's what I say.

Now I feel natural.

>> Oh my what a chest (screaming).

(coughing) >> Enjoying yourselves, boys?

Well, I mean, are you getting enough to eat?

(all speaking in foreign language) >> I hope so.

>> Mrs. Kennish?

How are you, Mrs. Kennish?

It's Georgie Jessel.

Say, Mrs. Kennish, I wonder if you wouldn't do me a favor.

It's such a lovely night out.

Would you mind walking up four flights to my mother's new apartment, and getting her down to your phone?

Yeah.

No, unfortunately we can't use our phone.

We got something is wrong.

We got with a bill, something.

I don't know.

Who knows what it is.

They sent up two men, unscrewed the whole phone, and took everything out.

The book they left, yes.

Oh, that's what it is, Mrs. Kennish.

Yes, it's a spitework in the downtown office.

Oh you say my mother is there in your apartment?

Well, well that is a coincidence.

I say it's good that she's there.

You shouldn't run up the stairs.

Yeah.

Would you put my mother on the phone?

Say, soldier, would you tell them I'll be right there?

>> Sure.

>> Thank you.

Hello?

Mom?

Georgie, your son, from the money every week.

How are you, dear?

Oh, I'm fine.

I'm down here in the canteen.

You know, I go on in a minute.

No I can't talk about the landlord now.

This will wait, like always with the landlord.

No, you see Ethel Merman, the star of "Something for the Boys" is going on.

And I follow her.

(upbeat music) ♪ We'll be singing hallelujah, marching through Berlin ♪ ♪ We'll be singing hallelujah marching through Berlin ♪ ♪ The devil put on a different face ♪ ♪ He came to plague the human race ♪ ♪ We'll put that old devil back in his place ♪ ♪ Sing hallelujah ♪ Everybody clap and Shout hooray ♪ ♪ All their troubles be carried away ♪ ♪ That Hitler man will meet his judgment day ♪ ♪ Sing hallelujah ♪ We'll be singing hallelujah marching through Berlin ♪ ♪ We'll be singing hallelujah marching through Berlin ♪ ♪ When we get there, we're gonna see ♪ ♪ The world has peace and liberty ♪ ♪ That's the way it's gotta be ♪ 'Cause man's no good unless he's free ♪ ♪ We'll be singing hallelujah marching through Berlin ♪ ♪ We'll be singing hallelujah marching through Berlin ♪ ♪ Marching through Berlin (audience applauding) >> I want to thank you girls for filling in for us tonight.

I know how hard it is in shoes and stockings.

>> Oh, we wouldn't mind coming every night.

>> You got a letter from cousin Milford.

All right.

What does he say?

He's in the Army three months.

He's already a Brigadier General?

Yeah, only three months, you couldn't be a Brigadier General.

Read the letter again.

He's generally in the brig.

This I thought.

This I thought.

Yeah.

Well, all right.

All right, put Sister Erna on.

Hello, Erna, look, honey, I know this isn't the time or the place to say such things to you, but what's gonna be with that fella for heaven's sake?

You're engaged now 33 years, Anna.

When he gets a job?

But he wouldn't get a job.

Any fellow who gets fired from five and 10 cent store because he can't remember the prices, such a fellow...

I'll be there...

I'll be there.

Hello.

>> What are you sticking your neck out for?

Food or gals?

>> Gals, sir.

>> And I hope we find our own.

>> Oh, you've been here before.

>> Oh yes, sir.

We know our way around.

>> (laughs) Yes, Before I joined up, I was an engineer on a banana plantation.

>> An engineer on a banana plantation?

>> That's right.

I had charge of the machine that bends the bananas.

(both laughing) >> She show you her clippings, Saucy?

She tell you how she went nuts better than anybody ever went nuts before?

>> Yes, but I thought you went out.

I didn't know you was having a private war.

Takes me back to the sands of Egypt.

Take over, matey.

I held her for you.

>> Thanks, pal.

>> Look what we found, Dakota.

A little old Yankee gal, and a daughter of the Confederacy.

>> You want to dance?

>> I just finished, thanks.

>> I thought you weren't coming tonight.

>> I thought you were on the high seas.

>> Otherwise you wouldn't have come, huh?

>> Nice of that Australian to look out for me for you.

>> Oh, he knows you interest me.

>> Oh, how chummy.

I suppose you talked me over.

>> Sure.

He's stationed near us over in Jersey.

He said if he got here before I did, he'd rope you off for me.

I told him to look for the prettiest girl in the place.

That's how he identified you.

>> Hey, you ever been in this place before?

>> Yeah, sure.

>> Well, look.

I've been in both these here wars.

And I've been plenty of joints.

But I just can't figure this one out.

>> What do you mean, Sarge?

>> Well, you come in.

You get free chow, free entertainment, free dancing.

And with dames that come right up and ask you to.

What I'd like to know is when do we get clipped?

>> Relax, Sergeant.

You don't.

It's on the level.

>> What?

You mean we don't even get rolled afterwards?

>> Why no.

Let's see your hand, Eileen.

>> Looks like you've already got it.

>> I thought so.

I'd never have guessed it.

>> Guessed what?

>> That you've got a lot of emotion, and stuff.

And look at your mountain of the sun.

You're gonna be famous.

>> On the stage?

>> Didn't say where, just famous.

And look at your heart line.

You're gonna meet a guy in your 20s.

This fellow's going away for awhile.

Says here he's coming back.

>> Does it say I'll be gone when he does come back?

>> Yes.

He'll have to find you.

>> Since I'm going to be famous, I guess he'll just have to look in the headlines, won't he?

>> Just one thing to look out for, it says.

Not to be too ambitious or cold-blooded about letting your head guide you more than your heart.

>> Attention, attention, attention, everybody.

Attention.

Men attached to the following unit will report back their post immediately.

This is an official order from your commanding officer.

All men from the First Battalion 28 Marines will report for duty at once.

>> Goodbye, Helen.

This is it.

>> So long, Jim, for a little while.

>> I sure hope so.

(soldiers singing in foreign language) >> Oh boy.

For a while I thought it was going to be our outfit.

>> I did too, for a minute.

I thought they were going to call your name.

>> Well, I didn't even know you remembered it.

>> Smith, Private Smith, isn't it.

>> That's right.

>> What's the matter with you two?

Haven't you been properly introduced?

>> We got to know each other pretty well, Ms. Anderson.

>> As they say in Madison Square Garden, ma'am, this is a return engagement.

>> (laughing) Well, I'll bet two to one on the soldier.

Knock out in the second round.

>> I like your friend, Ms. Anderson.

>> You and a few million others.

>> What?

She famous?

>> Are you kidding?

>> Oh, she's Judith Anderson.

Why sure.

She played Mrs. Danvers in "Rebeca."

>> Oh, they do have movies in Sioux Falls.

>> We're not that deep in the sticks.

I guess I'm not very good company for you.

I must seem like a sap to you.

>> Gordon said last night he'd lost his touch with women.

>> I'd like to give her a quick kick in the you know.

>> I guess I'll head back to camp.

So long.

I'll see you and California back at the barracks.

>> Anything wrong?

>> Yeah, with me.

>> Could I please talk to you a minute?

You see, you see my wife's having a baby back home.

She's in the hospital tonight.

And I can't be with her.

Gee, I'd sure love to talk to somebody.

>> Why certainly.

(all laughing) >> OK, boys.

Run along and have a good time.

If you want anything, just holler.

>> You're a swell fellow, Tallulah.

>> Thanks, Ms. Bankhead.

>> You're not so bad yourself, kid.

>> I didn't know it was this late.

I'd better get going.

Mizpah.

>> Mizpah?

What does that mean?

>> Where did you get that expression, young man?

>> Oh, that's a little something between me and my wife.

Instead of saying goodbye, we always say mizpah.

>> Well, what does it mean?

>> It's a word from the Bible.

It's beautiful.

It means the Lord watches between me and thee while we are absent one from another.

Well, soldier, you'll do your job well under that sign.

And don't forget we're going to do our job well too, under the same sign.

Mizpah, soldier.

>> Mizpah.

>> Ah ah ah ah.

Take it easy, sailor.

Don't go overboard (laughs).

>> Would you like me to be your number one kiss?

I'd be honored, California.

Of course, I wouldn't dream of breaking the rules down here, but I'll bend them a little for you.

You just pick your moment when the lights are down a little bit, and the music's just right.

(soft music) ♪ So I'll say good night sweetheart ♪ ♪ Until we meet tomorrow ♪ Good night sweetheart ♪ Sleep will banish sorrow ♪ Tears and parting may make us forlorn ♪ ♪ But with the dawn a new day is born ♪ >> This music's just right for, you know.

♪ Though I'm not beside you >> Of course, the lights are pretty bright.

>> Want me to close my eyes?

♪ Sweetheart, still my love will guide you ♪ ♪ Dreams enfold you in- >> That isn't any old phonograph record.

That's Kenny Baker singing.

♪ Good night, sweetheart, good night ♪ >> I guess there are too many people around.

>> I'm sorry, California.

>> So am I, Jeanne.

>> Good night.

>> Good night.

>> Roll up, men.

On your feet, Tex.

Nobody ever won a medal in bed.

>> Anybody ever did it would be little old me.

>> Gee, do you guys realize my Mamie is only a couple of miles away?

>> Mister?

Come here.

You know Jersey Wallace?

>> No, ma'am.

>> We're going to get married this morning if he doesn't have to go someplace.

>> We've been going together two years.

So his captain gave him permission to, you know.

>> Yes, miss.

I know.

I hope you make it.

>> Jersey and me figured if it means we'll only have the net 24 hours together as man and wife, it'll be worth it.

It's too bad you don't know Jersey.

You'd be crazy about him, like I am.

You ought to read the beautiful letters he writes me.

I carry them with me every place.

I like to read them over while I eat my lunch.

Oh, the suspense is killing me.

>> I should be envious of you, Eileen, but I'm not.

You deserve it.

You read the lines beautifully.

>> Thank you.

>> Congratulations.

>> What a break, playing opposite Paul Muni.

>> Bye.

>> See you at rehearsal.

>> So long.

And thanks.

It's funny.

This is the day I've been waiting for, but somehow I'm not getting the kick out of it that I thought I would.

>> I know what's bothering you.

You're still thinking of Dakota, aren't you?

Oh, come on.

Forget it.

He's probably forgotten you by now.

>> Sure he has.

And he certainly took away a fine impression of me, didn't he?

>> Oh, snap out of it.

>> Hello, Eileen.

I hear you're in.

Good girl.

>> Thanks, Mr. Muni.

Oh, this is my friend, Ms. Ruble.

>> How do you do?

>> How do you do?

>> Say, we're going over for a little dinner to celebrate, over at the Algonquin.

Nothing elaborate, just something quiet.

How about you two joining us, eh?

>> Oh, I'd love to, Mr. Muni.

But I- >> But I, But I can't come.

I won't take no for an answer.

See you over there, both of you.

Bye.

>> Bye.

(people chattering) >> Elsa, Elsa, I'd like to be a giraffe.

>> Why a giraffe?

>> So I could get in a little extra necking.

(audience laughing) >> I'd like to be a skunk.

>> A skunk?

Why?

>> So I could choose my own friends.

(audience laughing) >> The boys are far too good.

I think we've got to give he girls a chance.

Girls, 10 bucks for the best answer.

If you could be any woman, what woman would you be?

>> Hitler's widow!

(audience cheering ) >> Fellows, Ms. Ethel Waters and the famous Count Basie and his orchestra.

(soft music) (audience clapping) ♪ When you sang your love song you used to make me sigh ♪ ♪ I listened when you call me, I followed and followed you ♪ ♪ Til I was swallowed by quicksand.

♪ ♪ It was the devil who brought you to me ♪ ♪ Now I'm caught in those quicksands ♪ ♪ That keep dragging me down ♪ Quicksands ♪ I knew your love couldn't last ♪ ♪ Here am I, sinking fast, in those quicksands ♪ ♪ That keep on dragging me down.

♪ ♪ It was the Daylen Street ♪ I was walking with you and just thought ♪ ♪ How can our feet ever carry my heart ♪ ♪ It's so heavy ♪ I heard those beautiful lies with my eyes toward the skies ♪ ♪ Then those quicksands started pulling me down, ♪ ♪ Down, way down ♪ Quicksand, you keep on dragging me down.

♪ (audience applauding) >> Boys, quiet for a moment.

You're gonna meet an eminent authoress, a lady of letters, a young writer who went from without rags to riches.

(audience laughing) Also star of Star and Garter, our own Gypsy Rose Lee.

(audience cheering) >> Have you the faintest idea about the private life of an exotic dancer?

Well, up until a few years ago, it was New York's second largest industry.

(audience laughing) Now the fan dancer's education requires years of concentration.

And for the sake of explanation, take a look at me.

I began at the age of three years.

Learning ballet at the Royal Imperial School in Moscow.

Oh, I suffered and suffered for my art.

Then of course, sweet briar.

Oh, dear college days.

(audience laughing) And after four years of psychology, zoology, biology, and anthropology, my education was complete.

And I was ready to make my professional debut for the Minsky's on 14th Street.

(audience laughing) Now the things that go on in a fan dancer's mind would give you no end of surprise.

But if you're psychologically inclined, there's more to see than meets the eyes.

For an example, when I lower my gown a fraction, and expose a patch of shoulder.

I'm not interested in your reaction, or in the bareness of my shoulder.

I'm thinking of some painting, by van Gogh or by Cezanne, or the charm I found in reading "Lady Windermere's Fan."

(audience laughing) When I lower the other side, expose my other shoulder, do you think I take the slightest pride in the whiteness of that shoulder?

I'm thinking of my country house, or the jolly fun in shooting grouse.

(audience laughing) (upbeat music) There's the music.

And that's my cue.

There's only one thing left to do.

So I do it.

(upbeat music) And when I raise my skirts, with slyness and dexterity, I'm mentally computing just how much I'll give to charity.

(audience laughing) And the white stockings I have revealed, and just a bit of me remains concealed.

(soft music) I'm thinking of "Life of Doomza," (audience laughing) (soft music) or the third chapter of "All This, and Heaven, Too," (audience laughing) and none of those men whose minds are obscene.

They leave me apathetic.

I prefer the more aesthetic, things like dramas by Rossini.

(audience laughing) (upbeat music) (audience laughing) (upbeat music) (audience laughing) (upbeat music) (audience laughing) And then I take the last thing off.

(audience groaning) Well, practically.

And stand there shyly, looking demurely at every man.

Do you believe for one moment that I'm thinking of art?

>> Men: No!

>> Well, I certainly am.

(all cheering) (upbeat music) That's all there is.

There isn't anymore.

(audience clapping) >> Do it like you did in Star and Garter.

>> Oh, boys, I couldn't.

I'd catch cold!

(audience cheering) (audience chattering) >> Don't you ever smile, Mr. Sparks?

>> I'm smiling now.

>> Well, uh, tell me, sir.

How did your face get that way?

>> Don't you know where everything is frozen these days?

>> So that's the last I saw of Egypt.

>> Yes, well, I'd like you to meet a pal of mine who's maybe going where you've been.

Dakota, meet Johnny Jones, a real fighting man, fresh and hot from Australia.

>> Oh, how was it down there?

>> All kind of exciting spots.

I'm itching to get back.

>> What's that you got on your chest, Johnny?

>> Oh, just a ribbon.

>> Yeah, but it comes with a Distinguished Service Cross.

>> It's been a pleasure meeting you.

I hope we meet again, maybe down there.

>> Right.

(soldiers chattering) >> What is it, boys?

Is there something you wanted to ask me?

>> How did you know?

>> Oh, I've had this experience before.

You just flew over, and you want your English pound notes changed into American dollars.

Am I right about that?

>> We want to do the town before we take off.

>> Good.

>> We don't want to short change you.

>> Oh, don't you worry about that.

>> Johnny: Call for Hellen Naicken.

>> Oh, yes, Johnny.

Here I am.

>> Our MC isn't back yet.

He had to go to his radio show.

Would you please introduce Freddy Martin?

>> Oh, yes, of course.

Where is he?

>> He's on stage already.

>> All right.

I'll be right there.

>> Thank you.

>> Goodbye again, boys.

Good luck.

And happy landing.

>> Good bye.

>> Thank you, ma'am.

(audience clapping) >> There's no need of introducing Freddy Martin to you, because I see that you all know him.

(audience cheering) (soft music) ♪ Hurry home and get yourself a comb and toothbrush ♪ ♪ Pack a pillow full of dreams that may come true ♪ ♪ In a little place they call Don't Worry Island ♪ ♪ We can lease a piece of paradise for two ♪ ♪ There's a chipper skipper on the moonlight flipper ♪ ♪ Who will stow away your troubles in the sea ♪ ♪ It's been said he's heading for Don't Worry Island ♪ ♪ And if that's where he is going, so are we ♪ ♪ Concerning clothes ♪ I would advise a pair of lips, a pair of eyes ♪ ♪ Outside of those, take all the charm ♪ ♪ That you can put into my arms ♪ ♪ You can reach right out and pick a peach for breakfast ♪ ♪ You can shake your dinner off an apple tree ♪ ♪ To a little place they call Don't Worry Island ♪ ♪ Take along your blue sarong, and come with me ♪ (soft music) >> Gee, I wish Jeanne were here.

>> I think Jeanne would care to see her mate.

>> How are you?

>> Hello, boys.

Gotta get our aprons on.

>> Hello.

>> Hello, sugar.

>> Hi, honey.

>> Oh, where's Eileen?

>> Looks like she's gone and got a part in Gilbert Miller's new show.

Guess she's off celebrating.

>> Hear that you guys, Eileen's landed a part in a show.

Isn't that great?

>> Yeah, and I bet you're wondering why she isn't doing her celebrating down here.

>> Why sure.

We celebrate good.

>> Are you here all the way from China, my friend?

>> Yes, I'm one of the Chinese Air Cadets who came here to earn our wings.

>> Too bad we haven't any chop suey here for you Chinese boys, I reckon.

>> I'm thinking of introducing chop suey in China when I get back, as the latest American novelty.

(all laughing) >> You sure do talk funny for an Air Cadet all the way from China.

>> Well, and you sure talk funny for a man from the United States.

(all laughing) >> Hey, aren't those wings you're wearing?

>> Yes.

We won them today.

And we're leaving for China tonight.

You see, we are rather anxious to try our wings on those sons of heaven.

>> Contact take on.

They just won their wings, and they're heading home for a crack at Hirohito.

(guests chattering) >> The Chinese fighting march.

(upbeat music) (audience clapping) >> The commanding officer of these new pilots has asked me to speak for him.

He wants me to thank you boys for your warm demonstration of our feeling for them.

Don't you think it is we who should thank them and all the Chinese people for their magnificent courage and steadfastness?

It is like a light to guide the free peoples of the world.

(audience clapping) >> Yes, that's a small indication of how we feel.

And now, their officer regrets having to take them away so early.

But it seems they have some work to do across the Pacific.

(audience cheering) (soft music) >> I want to thank you boys for your friendship.

And I hope we meet again.

>> So long, friend.

>> Goodbye.

And don't forget to send me a postcard from Tokyo.

>> You bet I will Ms. Lang.

And thanks for your kindness.

>> So long.

(band singing in foreign language) (audience clapping) >> Thank you very much.

Thank you, Ms Owen.

We won't forget.

>> Good luck.

Did you hear that, Dame May?

They were thanking us?

>> Yes, I heard.

>> What, eating alone, soldier?

>> Yes.

Eileen isn't here tonight, Ms. Anderson.

>> Oh, well, do you want me to introduce you to another girl?

>> No thanks.

If it's the same Ms. Anderson, I guess I'll just sit here.

And I want to apologize for not knowing who you were.

>> (chuckles) No apologies necessary.

I didn't know who you were, either.

>> Attention.

(audience applauding) Benny Moss.

♪ A pair of little people ♪ Their biggest moment comes ♪ She says goodbye ♪ His soft reply is heard above the drums ♪ ♪ In dreams we'll always be together ♪ ♪ Beneath the moonlight sky, we mustn't say goodbye ♪ ♪ Each night, I'll push aside the mountains ♪ ♪ I'll drain the ocean dry ♪ We mustn't say goodbye ♪ I promise you that when the postman rings ♪ ♪ My heart will be inside the envelope he brings ♪ ♪ Oh don't you know the memories we gather ♪ ♪ Can never, never die ♪ We mustn't say goodbye ♪ I promise you that when the postman rings ♪ ♪ My heart will be inside the envelope he brings ♪ ♪ Oh don't you know the memories we gather ♪ ♪ Can never, never die ♪ We mustn't say goodbye.

(soldiers clapping) >> Hello.

>> Well, you're all dressed up to celebrate the new part?

>> The girl tell you?

>> Yeah.

Good luck.

I hope you're a hit.

>> Well, thanks, Dakota.

>> Well, there's no sense in keeping the guy you're gonna celebrate with waiting.

>> Don't you want me to stay here?

I had my hair done and wore this dress for you.

>> Yeah, I'll bet.

You said to yourself, I'll bet Dakota would like my hair fixed this way.

But we'll probably never see each other again.

I don't mean anything to you.

And you- >> And I don't mean anything to you.

Is that what you were going to say?

>> Oh, I was, but I couldn't finish it.

(audience clapping) >> And now, here's something for the cats.

(audience laughing) I'm gonna bring you a clanky brawl by a sharpie who plays a licorice stick that's out of this world.

(audience laughing) The guy who knocked them off their seats, and rolled them into a groove, Benny Goodman.

(audience cheering) (soft music) (audience clapping) ♪ You had plenty money, 1922 ♪ You let other women make a fool of you ♪ ♪ Why don't you do right, like some other men do ♪ ♪ Get out of here, and get me some money too ♪ (soft music) ♪ If you had prepared 20 years ago ♪ ♪ You wouldn't be a-wandering now from door to door ♪ ♪ Why don't you do right, like some other men do ♪ ♪ Get out of here, and get me some money too ♪ (soft music) ♪ Why don't you do right, like some other men do ♪ ♪ Like some other men do (audience cheering) (soft music) >> Okay, sugar.

Come on.

Give me some skin.

>> What's that?

>> Don't you jump?

>> Huh?

>> Jitter?

>> Oh, not so good.

>> Oh, well come on, honey.

I'll teach you.

(soft music) >> Do your eyes bother you, Jeanne?

>> No, California.

Why?

>> Well, they're killing me.

>> (laughs) Oh California, you're my dream man.

How about it?

Do you wanna hold me while you dance?

(soft music) (audience cheering) >> Hello?

(man honking) >> Hello!

(door knocking) (man honking) (woman screaming) >> Hey.

Take your hat off.

Can't you see the ladies?

(man honking) Get back there.

(soldiers laughing) >> Come on.

Take it off.

(audience laughing) >> Quiet, quiet everybody, please.

There comes a time in everyone's life when a moment of seriousness is appreciated.

We offer you that moment tonight.

It is my pleasure and privilege to introduce one of the world's great concert violinists, Mr. Menuhin.

(audience clapping) >> I would like to play for you, Schubert's "Ave Maria."

(soft music) (audience cheering) >> Bravo!

>> Bravo!

(audience clapping) (soft music) >> And now for the first insect that's ever been in the Stage Door Canteen, the "Flight of the Bumblebee."

(audience laughing) (upbeat music) (audience cheering) (audience clapping) >> It's funny.

It wasn't hard to find things to say when we were taking cracks at each other.

Now I- >> You've run out of words?

>> No.

I'm just trying to find the right ones.

(soft music) We've wasted a lot of time, haven't we?

Things keep coming to my mind.

And I feel like talking.

But we haven't any more time.

(soft music) >> I like this song.

But it seems like they always play it too soon.

(soft music) >> I'm gonna make it tonight, you know.

>> I know.

And I'll be ready and waiting.

(soft music) >> Pass the ammunition.

(soft music) >> I know.

I'd love to meet you afterwards.

But you know the rules too, Dakota.

I can't.

>> Please, just for a little while.

You realize we've never been alone together.

>> They'd pick up my pass.

I wouldn't want that to happen.

>> Nobody need know.

>> It's like the honor system at school.

Even your best friends have to report you.

>> Suppose I were just anybody who wanted to be with you, and I just happened to see you.

That wouldn't make me a date.

>> I just can't tell you the subway station where I get off.

It's against the rules.

But the girls, they live with me and they got off at Washington Square.

(soft music) >> Goodnight, honey.

>> Good night, sugar.

>> Good night, California.

>> Good night.

>> Good night.

>> I'll see you later.

(people chattering) >> Hey, Dakota.

Why don't we stop off and see "The Honeymooners?"

>> I'll see you guys at the barracks.

>> Ah ah ah ah ah ah ah ah.

>> (chuckles) Coffee, yeah.

Lost my ration book.

Been a long time, you know (chuckles)?

Ugh, FBI, huh?

>> And Texas says he doesn't like glamor girls.

He likes girls that don't get around.

Tex is awfully smooth.

He never says what he's thinking.

>> Who's got a key tonight?

I must have left mine in my other purse.

>> I've got mine.

If they go to Egypt, do you think they'll fall for those Egyptian women with the stumbles?

>> Oh, Ella Sue, are you sure you locked the front door after us?

>> Oh, no.

I'm not right sure.

>> Well, I won't be able to sleep until I make certain.

>> Shucks, honey.

It was my fault, I'll go.

>> Oh no, no.

I'll go!

I didn't know what to do.

I was afraid that they'd find out.

That's all the courage I need.

>> Hello, Eileen.

>> Hello.

>> Well, hello.

>> They're from the canteen.

They'll have to report me.

Oh, Dakota.

The stairs inside keep going right up to the roof.

As soon as I make sure the girls are asleep, I'll join you there.

(soft music) Say something, so everybody won't hear my heart beating.

Yours is bouncing around a bit, too.

Boom, boom, boom, boom.

It's a wonder they'd let you in the army with a heart like that.

You're skipping beats.

>> If I'd kissed you before I took my examination, I'd still be in Dakota.

>> My knees are shaking, what with everything.

>> Well, shall we sit down?

>> There's so much for us to find out about each other.

I wonder if we like the same things.

>> Like what?

>> Well, like, like rainy weather.

>> I like the rain.

We never got enough back home.

>> I do too.

I like everything there is about it- The way it makes the roof shine at night, walking in it, breathing deep.

Say, how do you look out of uniform?

>> Pretty naked.

(both laughing) >> I mean, what kind of clothes do you like best?

>> Old ones, baggy, the way you can use the robe.

>> I like that.

>> Do you like dogs?

I had to leave my dogs at the station.

Couldn't take them to camp.

I got a letter from the old station master saying they stayed there.

They wouldn't go home with the folks I gave them to.

The old boy said he'd keep them for me, and let them live in the baggage room when I got back.

I miss those pups.

>> Maybe someday we'll walk with them in the rain.

>> Would you mind if I had a workshop in the basement?

>> No, I like the smell of shavings, and the way they crackle in the fireplace, the smell of wood smoke.

And us sitting like this.

>> Maybe it's evening.

I've just come home from work.

And we just had dinner.

We're sitting by that fireplace.

>> I like nice hot baths on cold nights before I go to bed.

>> I'm a shower man myself.

>> And I'm a tub girl.

We wouldn't fight over anything, would we?

(soft music) I've never proposed to another boy in all my life, honest.

>> It wouldn't be fair to you, Eileen.

>> I'm yours if you want me.

It's up to you.

I'd love to get letters addressed to Mrs. Dakota Smith.

>> Suppose you were the greatest star on Broadway when I came back.

And I was only, well, maybe a Sergeant.

>> Then I'd have them put Mrs.

Sergeant Smith up in lights, five feet high.

Well get some sleep.

I'll go to my rehearsal.

And I could be ready by five.

>> It's dawn.

Where will I meet the bride?

>> The same place we met, the Stage Door Canteen.

(phone ringing) >> If that's a job for me, don't ask any questions.

Just say yes.

>> I will.

Hello?

Yes.

Oh, why that's ridiculous.

She didn't have a date with a soldier last night.

She came home with us.

>> Tell them I had a date with the dearest, most adorable guy.

>> Yes, she said she had a date with the dearest, most adorable... What?

(people chattering) >> You might as well go on inside, girls.

I'll let you know when he comes.

>> Hello, Eileen, what are you doing out here?

>> They took my card away, so I can't go inside.

>> Why?

>> Oh, it's alright Ms. Royal.

I'm going to be married today.

>> You are full of surprises.

Congratulations.

>> And mine, Eileen.

>> Congratulations and good luck.

>> Thank you.

>> Have you ever broken any rules, Selena?

>> Gosh, you're right.

Shall we make an exception in her case?

>> Why don't we make up a rule of our own?

The brides don't have to wait on sidewalks.

>> I'll get her.

Eileen.

>> Here they come, girls.

Start circulating.

>> She knows.

I told her.

I'll wait in the dressing room.

>> Yes, and I think it's wonderful.

The groom will probably arrive with his entire company to get her.

>> Thanks, Ellen.

That's very sweet of you.

>> Okay, Ralph.

>> I wonder many boys will be in tonight.

>> Oh, the usual number, I guess.

6,000 were here over the weekend.

>> Still keeps up.

Isn't it wonderful?

>> Wonderful.

>> Oh, first time at the canteen, eh?

>> Yes, ma'am.

>> Well now would you rather eat first or dance first?

>> Eat first, I think, ma'am.

Virginia, show this boy the ropes, eh?

This is Virginia Gray.

What's your name?

>> Don Brandy.

Hello, Virginia.

>> Hello, Don.

On second thought, I think I'd like to dance first.

>> Well, come on.

(soft music) >> Thanks just the same.

But we won't dance anymore for a while.

>> I declare, just look at the time.

It's getting awfully late.

(soft music) >> Oh, Eileen, you're wanted in the foyer with Ella Sue and Jeanne.

(soft music) >> Oh, I promised to find you ladies.

Your boys sailed off to the war this morning.

But they each gave me something to say, So I wrote it down so I wouldn't forget.

The lad from the South, miss, he said he hoped he'd find you sitting in a little old hammock under a magnolia tree when he comes back.

The young lad from California, miss, he said to thank you for making him feel like a man.

Dakota, Miss, Dakota sends you his dearest love.

He seemed a bit wrought up, don't you know?

But he said he hoped you'd still be his missus when he comes back.

He said he'd love you all his life.

>> All his life.

He's got to live.

He's got to come back.

>> He'll come back.

(soft music) >> Dear God, have I loved someone as much as I love him?

He's just about got to.

It isn't fair.

>> You bet it isn't fair.

But it's happening.

>> Oh, Ms. Hepner, I just heard- >> Yes, I know.

He sent you his dearest love, and said he hoped you'd be his misses when he got back.

>> I can't stand it.

I've got to get out of here.

>> Wait a minute.

Why'd you volunteer for this work?

>> Because I wanted to help.

>> Help what?

>> I wanted to help my country.

>> Why do you think your country needs your help?

>> We're in a war.

And we've got to win.

>> Yes, that's right.

We're in a war.

And we've got to win.

And we're going to win.

And that's why the boy you love is going overseas.

And isn't that maybe why you're going to go back in there, and get on your job?

Look, you're a good kid.

I don't wonder he loves you.

He knows what he's finding for.

He's fighting the kind of world in which you and he can live together in happiness, and peace, and love.

Don't ever think about quitting.

Don't ever stop for a minute working, fighting, praying, until we've got that kind of world.

For you, for him, for your children, for the whole human race, days without end, amen.

(soft music) >> Narrator: Tonight, every night until victory, thousands, millions of lads like California, Tex, and Dakota will find momentary escape from the war, from homesickness.

Tonight, every night until victory, this light will be gleaming, offering them laughter, music, friendship, beauty, and something to remember.

(upbeat music) Hey, it's Kris and Bruce, and we're still down here in the basement.

You know, we should probably remind viewers how they can see any of our classic films and score their very ow Subterranean Cinema merchandise.

Bruce, can you give us a hand with that?

Sure can.

So you can watch all of these movies through the PBS App on your smart TV, computer or device.

You can check out the PBS Fort Wayne website under Sub Cinema to find info about our upcoming classic film and to order logo t shirts and popcorn balls.

And you can also watch the movies on the PBS Fort Wayne YouTube channel.

So Kris, what's coming up next week?

Well, I'll tell you next time around, we have Jamaica Inn starring Maureen O'Hara and Charles Laughton.

And we'll also have a very special guest host.

So do not miss it.

So tune in next week for Subterranean Cinema only on PBS Fort Wayne.